A Dream Is A Wish Your Heart Makes

By Anita Garner

Cinderella was the first movie I ever saw. It was at the Alex Theatre in Glendale, California.  My brother and I came out from the Deep South in 1950 to visit our Gramma and attend school while our parents completed a long revival tour.  Daddy was a preacher whose religion taught that movies were sinful and though there were plenty of picture shows where we lived, we drove right past them.   Gramma didn’t hold with his concept of sin so as soon as our parents dropped us off we got our first look inside a movie theatre.

Cinderella wasn’t the movie I’d have chosen that day.  It was Gene Autry I wanted to see up there on the big screen.  I already had my own dream relationship with him through his “Melody Ranch” radio show.  Our family listened every week, then Daddy and Mother strummed his songs on their guitars and we all sang them together. Music from the secular world was embraced in our house but the film versions were banned.

I planned to marry the Singing Cowboy, not so much because of all the ropin’ and the ridin’ and a chance to meet Champion the Wonder Horse, but because of his music. In the car on the way to California Daddy and I sang “Back In The Saddle Again” and he dropped in a little whistling break,  a sign that he really liked a particular song.

Then I saw Cinderella and all that Disney movie music started other thoughts going around in my head, promises we make to ourselves, things like…

“If you can dream it you can do it.”

“Never give up.”

“Just keep trying.”

Years went by and more Disney movies with songs about possibilities  came along.  My 8 year old self was an instant believer but my growing-up self reminded me not everyone has a fairy godmother.

Grownups become goal-oriented.  Most of us do more planning and less dreaming.  But sometimes I hear a certain Disney song and I return for a couple of minutes to a time when a girl in Arkansas believed she could marry the Singing Cowboy and go to the Alex Theatre on Saturday to watch movies that promised everything will be all right.

Click on the picture below if you want to sing along with Cinderella and the tweety birds. According to the counter on this You Tube clip, millions of people already have

 

 

 

 

 

Composers: Mack David, Al Hoffman, Jerry Livingston.
Sung by Ilene Woods, who also voiced Cinderella in the movie

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The Singing Cowboy on The Glory Road

Gene Autry & Champion, The Wonder Horse

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Daddy was a Pentecostal preacher in the Deep South with a list of sins as long as your arm he intended his children to avoid.  Too late. We were already sinners. We’d been to California.  We saw a picture show. Gramma K dropped us off at the Alex Theater in Glendale where we stayed for hours.  She knew Daddy preached against it, but she didn’t care. Now we were back home in Arkansas, dreaming of how the rest of the world might be as soon as we could get there. My brother, Leslie Ray, was at the point in our church where a person is meant to declare himself and get baptized. He had no intention of doing that. Here’s a scene from my book, The Glory Road, which also appears in the play.

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Murfreesboro, Arkansas 1951
Population 1,075

Behind the parsonage, past the back yard and the weeping willow, our garden sprang forth, Reverend Jones’ agri-painting spread out in rows of different colors. Daddy’s years of living on farms taught him everything he needed to know about planting and tending and harvesting and he was determined we would also learn to grow and cook what we needed. This was the first time we’d had space for growing and we used every inch of it.

A chicken wire fence enclosed three sides, with climbing vines already moving up and a row of Marigolds around the base. He said Marigolds discourage unwanted pests. The fourth side, closest to the house, had a picket fence with a gate. Adjacent to the garden was a shed where Daddy kept tools safe and dry.

When he called us to come work in the garden, we raced to the back porch to put on our gardening shoes, which were last year’s school shoes. Daddy didn’t own casual shoes either. He gardened in his oldest hard-soled preacher shoes and pulled galoshes over them.  We went straight to the shed to pick our implements.

Daddy said,

“Nita Faye, that hoe’s too big for you.  Easy now.  Maybe we’ll give you this trowel instead.  Son, did you feed your rabbits?”

Even when the completion of an assigned chore was more a future plan than an actual fact, Leslie Ray answered the same way every time the question came up.

“Yessir, fed ’em.”

Daddy took the trowel from me and demonstrated.

“Don’t slice into things like that. Turn the dirt over real gentle. You gotta work with intention, girl, like this.”

He reached around and brought up a clump of tiny potatoes in one swoop.

He asked Leslie,

‘How about the chickens?”

“Fed ’em.”

“Son, tell me, what were you thinking, lettin’ those pigeons out on Sunday?”

“I wanted to see if they’d come home.  See if they’re homing pigeons.”

“You know where your pigeons went, don’t you?  They flew straight over the congregation just when people were leavin’ church.”

Daddy was trying not to laugh.

“The whole situation could-a been avoided if you’d-a been in Sunday School class where you belong.”

I said,

“He hates Sunday School.  Leslie Ray’s a heathen.”

Leslie said,

“Shut up Nita Faye.”

Daddy responded,

“Boy, I don’t want to hear ‘shut up’ come out of your mouth again.”

We weren’t allowed to yell at each other or hit each other, so we slung around some language to make a point. We called each other the strongest names we could think of, words that sometimes showed up in Daddy’s sermons, therefore I got away with ‘heathen’ for a while but Daddy kept tightening the rules.

“Son, you know what those pigeons did right on top of the congregation, don’t you?”

He burst out laughing and we joined in and had to stop digging, we were laughing so hard.

“You should-a seen Sister Anthony!  You better hope they come home a different way than they went!”

Daddy strode up and down the rows, a satisfied man plucking a weed, tapping a cantaloupe.

“Leslie Ray, bring in some-a them green onions.  That row over yonder’s about right. Nita Faye, you’re not doin’ so good with those potatoes. Here, dig ‘em up like this. Give ’em a little pull. Just a little. See?”

He got down on his knees again and unearthed more of the prettiest   potatoes. I copied his technique.

“Daddy, can we have new potatoes and creamed peas and cornbread for dinner?”

“We can if you don’t chop those poor little things all to pieces.”

He started to whistle, then hum, then he sang,

 I’m back in the saddle again
Out where a friend is a friend

I sang too.

Where the longhorn cattle feed
On the lowly jimson weed
I’m back in the saddle again.

Leslie taunted,

“That’s Nita Faye’s boyfriend’s song.  She loooooves Gene Autry.”

“Yes I do.  I’m gonna marry Gene Autry and sing on the radio with him and move to California and live right by Gramma K.”

Daddy said,

“Well now, Nita Faye, you can’t marry Gene Autry.”

Leslie added,

“Yeah because when you grow up he’ll be too old to marry you by then.”

Daddy kept collecting vegetables, putting them into the basket we used so the dirt could shake out before we took them into the kitchen.  He was  serious when he said,

“Naw – cause I’m not sure he’s right with the Lord.  Don’t matter if a man’s famous.  He’s not goin’ to heaven unless he gets down on his knees and gets saved first.”

“Uh huh!  I bet he’s saved!”

“Well he’s not usin’ his voice to sing the Lord’s music out in public like he ought to.  The Lord gives you a gift like that, you got to use it only for him.”

And just like that, after withering my dream of being Mrs. Autry, Daddy picked up the basket full of beautiful baby potatoes  and headed to the back steps, where he took off his galoshes and went whistling into the kitchen.

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Here’s an old recording of my future husband singing
Back In The Saddle Again