Have you heard? Our kids don’t want our stuff.

By Anita Garner

I’ve read several columns lately reminding seniors to pare down, don’t leave it all for our heirs to do.  Lots of reminders about this from AARP. I did pare down some after each parent passed but you wouldn’t think so to look at the number of boxes I still have.

Mother kept everything, not as a hoarder but as a person who knew what she had and why.  She labeled and neatly cataloged containers.  Did I mention there was SO MUCH stuff? I’ve already been through several rounds of decision making about what to keep, what to sell and what to donate.

Thank goodness her songs are preserved so our family can continue sharing the music she wrote and recorded.  Her scrapbooks have also been a valuable resource for me as a writer.  The fact that Fern Jones was an organized keeper of things turned out to be important for future generations. We have professional help with her music (“Fern Jones: The Glory Road”) and song publishing and now there’s a book (“The Glory Road: A Gospel Gypsy Life” from University of Alabama Press, available wherever you buy books) which shares stories and photos from her archives, all because she was a faithful and detailed keeper of things.

The photo up top is of two small things I choose to keep nearby, representing both the happy and sad.  The pink bowl is from her 1950s collection.  I kept only this one piece. The little brass apple is a bell – a very loud one.  In her home in Palm Springs, when ALS confined her to a bedroom down a long hall, for a while she was still able to ring for us.  She often rang to get one of us to put pictures of Daddy on a chest within her view.  She liked to rotate her favorite pictures of him.

My daughter, Cathleen Fern, has the piano her grandmother played. Fern was crazy for pink and Cath had the piano painted.  This is an old spinet, the kind that isn’t appreciating in value but provides plenty of memories at home.  We also keep her guitar in view. It’s not the best guitar Mother and Daddy owned but it’s the one she played late at night while writing her songs or to comfort herself when she couldn’t sleep. When my brother and I were very young and her playing woke us in the night, she’d let us stay up if we’d sing her favorite ballads.

My latest decision is to take no position about what’s left, letting my daughter choose the next disposition of Jones memorabilia after I’m gone.  There’s still a box filled with Daddy’s Bibles.  His briefcase, which was his preacher’s traveling chapel, is here with sermon notes still inside.  We have old photos and souvenirs from years of touring the Deep South and some of Mother’s correspondence in her fancy handwriting that I’ve read but then couldn’t throw away. Her songs-in-progress are noted in old composition books. Who could get rid of those?

I rationalize this pause in downsizing based on the fact that I have only one child and she’s an organizer and thus potentially better equipped, a generation removed from the Reverend Ray and Sister Fern Jones show.

 

On The Glory Road – Johnny Cash changes things.

By Anita Garner

Fern Jones, my mother, a transplant from juke joints and honky-tonks, was the wife of a small town preacher in Arkansas when she started writing gospel songs.  She married In her teens, got religion and turned her church songs into rockabilly.

In a story from my book, The Glory Road: A Gospel Gypsy Life,  (Spring 2021 from University of Alabama Press) Johnny Cash heard a song she wrote and sang it for his audition at Sun Records (performed in the movie Walk The Line by Joaquin Phoenix.) Though Sam Phillips at Sun recorded the song, he didn’t take to gospel at the time and didn’t plan to release it until he got Johnny to sing some grittier stuff first.

Johnny became a star who sang what he wanted to sing.  He performed I Was There When It Happened  everywhere throughout his career and included it on several albums, so this one song Mother wrote was recorded by a big ol’ bass-singing country boy on his way up and it changed everything for her.

Watch Johnny and the Tennessee Two perform  I Was There When It Happened on the Town Hall Party  TV show in Los Angeles in the 1950’s.

https://www.youtube.com/watch?v=Pp70V6a8r00

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On The Glory Road – The Music Moves

By Anita Garner

While Daddy was a young man attending shape-note singing lessons taught in a country church by traveling sheet music salesmen, Mother was lying about her age to sing in honky-tonks.  When they got together, things got interesting.  They mixed her Saturday night and his Sunday morning sound and made a whole new thing.  After WWII they moved their music out of  churches and took it on the road.

I hope you’ll follow along each week as I  post updates from The Glory Road projects.  It began with short stories and essays, next a stage play (a story for another day) and now a book manuscript. My goal is to help preserve the music and these glimpses of American history.

Early recordings blended Mother’s honky-tonk alto with Daddy’s hill country tenor.  Years later, their recordings have been re-mastered, re-released and are heard everywhere, on television, in movies, on the radio, on streaming services and everywhere music is available.

Here’s an excerpt from the book manuscript.

 All Day Singing With Dinner On The Grounds.

Kousin Karl took the stage and the crowd shook off their post-dinner torpor, ready to be entertained.  He welcomed everyone back and made a few announcements, ending by reminding us there’d be plenty of food left out there at suppertime.  After the crowd rustled and scraped and quieted some, he hollered,

“Ladies and gentlemen – THE JONESES!”

Daddy called out the key to the pickup band. A piano player started off and the crowd laughed as they caught on to what was happening.  Brother Janway eased in from the side, chasing the first piano player away.  He bounced around, playing some boogie woogie first, then slid into the intro to the familiar song Daddy and Mother were about to sing.

Daddy paced and grinned, guitar strap slung over one shoulder, strumming as he walked over to the piano shaking his head, pretending to be shocked at Brother Janway’s antics.  The two buddies always had fun up there and their schoolboy foolishness had everyone smiling.  

When Mother joined Daddy onstage, he moved over next to her and leaned in so close it looked like he was about to kiss her, then he stepped away again, always in motion before returning to share the mic with her. They started off on one of Daddy’s favorites, with Mother taking the lead and him singing harmony.

       By and by, when the morning comes

       All the saints of God are gathered home

       We will tell the story, how we’ve overcome

       And we’ll understand it better, by and by

Daddy was always a crowd-pleaser yet it appeared to be accidental. He never held onto a note any longer than he had to.  When she sang she laid every ounce of emotion she could muster into a note before sending it out to the audience.

Here are Sister Fern and Brother Ray singing “By & By” from their first album, “The Joneses Sing,” recorded in the 1950’s.

On lead guitar, fellow evangelist, Brother Gene Thompson

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