Planning to die

by Dave Williams

Man, I’ve written a lot of philosophical tripe recently about aging, retiring, and now, dying. I suppose it’s only natural but I’m getting tired of it. Life is for living, not preparing to die.

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So, listen up – I’m only going to say this once:

Whatever becomes of my “remains” when I die is not my concern. That may sound like I’m just kicking the can (along with the bucket) down to my survivors but look, it’s a pass. Don’t worry about it. I don’t. I’ll try to leave behind enough money to pay for the, ahem, cremation procedure (which is something I really don’t want to think about) but after that, do whatever you will with the ashes.

The ashes. Not my ashes.

Do not stand at my grave and weep
I am not there. I do not sleep…
— Mary Elizabeth Frye

I used to have a grand plan that I told my family: to scatter the ashes in my beloved hometown of Sacramento. Specifically, I told them, sprinkle my earthly remains into the water where the Sacramento and American Rivers meet, just off Discovery Point. My grandpa Webster used to take us fishing there and it’s just upstream from Old Sacramento, where I spent many happy jazz festival days and nights as a young adult.

I told my wife and kids that it would be fitting if a four-piece traditional jazz ensemble played on the shore, perhaps a lively, Dixiesque rendition of the traditional Christian hymn, “A Closer Walk With Thee”.

Or maybe, “Another One Bites the Dust.”

Whatever. I’ll leave that up to you and the band.

That was my thinking years ago when I was still alive in my hometown and a regular, semi-celebrity fixture at the annual Sacramento Dixieland Jazz Jubilee.

Imagining the picture of my grieving family huddled together in a small boat under the cover of darkness (scattering ashes in a river is illegal in California, as are most innocuous things) brought a happy tear to my eye. But then life its ownself (copyright, the late, great Dan Jenkins) moved us to L.A. and eventually Texas. Meanwhile, the world’s greatest traditional jazz festival was crushed by cultural and political forces that trashed its glorious tradition after first removing the word Dixieland from the title. Thanks to the annual Sacramento Bee shocking photos of old people having fun, traditional jazz was run out of town.

Don’t get me started.

The point is, I don’t want my wife and kids to have to spend time and money fulfilling a silly idea I had years before I was old enough to think about dying in a reasonable way, which I now am.

I respect and admire people whose final wishes are detailed and specific.

Though he never expressed his desires to me, we took my father’s ashes to Green River in southwestern Wyoming, where he fished as a boy. It was a moving experience for us all. And if my family wants to do something similar to celebrate my life, by all means, they should do it.

But don’t do it for me. Do it for you.

CarolAnn, I’m leaving this decision to you. You’re really good at making decisions. Don’t feel compelled to have me in a jar in your bedroom but if that’s what you want, do it.

Hey, if you still have our cat, Corabelle, dump me in the litter box. I think it’s funny! You’ll get a giggle each day when you scoop it.

Ashes to ashes, dust to dust.

Live and love your life knowing that I loved mine thanks to you all.

This is not yet…

The End

 

Music that hurts too good

by Dave Williams

Fritz Stewens

I was just trying to organize my iTunes files. It’s a maddening process that forces me to access the gnat sized portion of my brain that insufficiently understands digital stuff so that I can preserve the memories of my heart.

I rarely listen to music and until just now I didn’t understand why.

I grew up in the sixties loving the Beatles, the Stones, Janis and Jimi. I was a radio rock jock at 17. I used to crank up the music LOUD when I was behind the mic in the KROY studio on Arden Way.

That time of my life passed quickly. I remember it fondly but I don’t live in the past. For some reason I’m not overly sentimental.

Once in a blue moon though I stumble across a song that brings a memory from my heart to the surface; it pulls my younger self out of the past and paints a moment with goodness and glory that can only be imagined.

This is a performance of a particular song by a group of musicians I knew during a very special time in my life. Like memories themselves it’s a grainy piece of film with a somewhat ethereal soundtrack that can’t do justice to reality as I have held it.

In my heart, I’m still there with the boys in the band as you see them. We have not aged. I’m on my feet under a freeway with hundreds of other fans shouting with joy, frozen in time on a Saturday night in a Sacramento spring.

Sharmayne is with me. This is our song. The trombone player is her man and I’m her best friend.

34 years later Sharmayne is gone and I can’t find Fritz. Rainer, Dieter, Charlie and the other boys have taken their lives elsewhere.

This is probably why I don’t listen to music much anymore.

It hurts too good.

 

NOTE:  This is the Allotria Jazz Band from Munich in 1984. This particular performance was filmed in Germany, not Sacramento. That’s obvious by the narration. Still, Sharmayne and I thrilled to their music and this particular song many times over the years they appeared at the Sacramento (Dixieland) Jazz Jubilee.

You had to be there.